Don’t worry, this isn’t (really) about coronavirus. Most important thing to take from this is that if you are a disabled horror fan, I want to hear from you!
Interview with Annie from CLT DRP!
“I’m just tired of seeing bills that aren’t even 50/50… whoever is booking these festivals just aren’t looking.”
Longterm impact of CoVID-19 on the music industry
We’re deep into quarantine now, with lives at stake and the vast majority of our summer plans on hold. Glastonbury, the biggest date in the music industry calendar, has been…
Interview with Oya of VODUN!
“Representation is everything, which is hard to tell someone who’s been constantly catered for forever…”
Interview with Dolly Daggerz of Tokyo Taboo!
“I’m proud that I’m still standing and that I haven’t given up. I’m proud that I’m writing music I love, and putting on a stage show that is different to most.”
“Fight the cistern”: Dragprov ain’t just toilet humour (REVIEW)
“I cried off all my mascara from laughing so much…”
REVIEW: Three Sisters at the National Theatre
“This was as close to perfect theatre I have seen in a really long time.”
Lesbian Vampires: an exploration into exploitation
“Even with Laura’s father staking Carmilla as she lies in her tomb, the penetrative power of the stake cannot correct the seeds of gay that have been sown.”
“Nobody blames God when there’s a woman can be blamed instead”: The Welkin, National Theatre (REVIEW)
I ended up at the first preview of The Welkin, a new play at the National Theatre by Lucy Kirkwood – so, I decided to write a review because, well, it’s me.
Grief in Gold and Grey
C/W: death, cancer
In which I begin to process my dad’s death and nerd the fuck out about my favourite band while doing so.